cage the elephant come a little closer meaning

Also, if anything had been missing from Cage's repertoire that Melophoia gets right, it is the careful sprinkling of brass. As bizarre as the spoken-word ending of 'Teeth' might be, it engages in a Black Francis-esque way.

Some of the accents the band chose to add throughout are a bit weird and somewhat distracting, but are ultimately intriguing rather than off-putting. It ends in an unexpected jazz piano riff, though, which is kind of fun. The vocals are spooky and smooth, and the repetition of the word 'forever' delivers the feeling of infinite despair. That said: each song is substantial, if occasionally overdone.Īlison Mosshart adds a female perspective to the record on 'It's Just Forever.' It evokes the vibes of The White Stripes (but that could just be The Dead Weather-influence talking). The tracks don't really have any cohesion, and the sounds are spastic. He contemplates all of the time this 'character' is wasting with raw, vulnerable vocals over ominously psychedelic organ and guitar interplay.Īt this point in the album, what is clear is that everything is chaotic. 'Telescope' takes that introspection to another level with Schulz imagining himself as a third person observer to his own life. Lyrically, the album is more introspective that Cage's two previous efforts. The album's single, 'Come A Little Closer,' is one of its strongest tracks with a driving chorus and a nice layering of lo-fi guitar licks, keys and a steady beat. It walks the line between fitting on Thank You Happy Birthday and fitting within the darker context that the new album supports. It starts off with 'Spiderhead,' a paranoid, high-energy jam that deviates greatly from the band's eponymous debut, introducing Melophobia as a maturation of their sophomore effort. That's probably not the band's intended interpretation - but the album kind of has a 'just roll with it' attitude to begin with, so. One being fear of hiding behind the music, hoping it can mask vulnerabilities, and the other being the risk of branching out into a sea of sounds that may or may not be cohesive.

With that in mind, this idea of 'fear of music' seems to have two possible interpretations. 'The entire record was a struggle to maintain that naked honesty,' he told them.

Vocalist Matthew Schultz mentions in a Rolling Stone interview that he made a conscious decision on this album not to hide behind poetry -instead write how he actually speaks - in an effort to portray the songs for what they really are, not what they purport to be. Kentucky rockers Cage The Elephant battle the idea of 'fear of music' on their third album, Melophobia.

Cage the elephant come a little closer meaning